A fairytale with your child as the hero

There is something about "once upon a time" that makes a child go still at once. The world turns a little softer, bigger and safer all at the same time. As the one reading, you know it will come right in the end, and your child feels that too, long before they know the words for it.

It is that fixed shape that makes a fairytale so reassuring. Three trials, a brave choice, and good winning out in the end: somewhere your child knows this is how it goes, and that gives them the nerve to come along, even through the frightening part. The handhold is built into the story itself.

A personalised fairytale is not a hundred-year-old tale about a princess far away. It is that same magic, but wrapped around your own child: with their name, and an enchanted wood that begins just past your own back garden.

And it stays safe. The old fairytales had sharp edges, wolves and witches that really did the worst. We keep the wonder and the tension, but not the grisliness. What is left is the enchantment, and an ending you can switch the bedside lamp off beside with an easy heart.

What this kind of story gives your child

  • The safety of "once upon a time": a familiar shape your child feels at home in straight away.
  • Wonder you can actually point to, a cottage of moss and moonlight, an animal that suddenly speaks, instead of "it was very special".
  • A handhold in the pattern: through the trials, your child knows it will come right, and that is exactly what makes the frightening part bearable.
  • Enchantment without the grisly edges of the classics, with an ending that settles a child down.

What that sounds like

Deep in the Whispering Wood, where the paths swapped places after dark, Nell found a little door in the trunk of the oldest oak. Behind it lived a fox with eyes like candle flames. "Whoever comes in here," he said softly, "may ask three questions, but the last one always stays with me." Nell thought for a long while, for she knew: the good question is the one you save for the end.

Frequently asked questions

What age is a fairytale right for?
Fairytales work from very young to much older, and the story adapts. For a four-year-old it stays small and rhythmic, with a talking animal and a simple task. For a child of eight or nine the quest can grow bigger and more thrilling, with real choices along the way. The wonder stays; the depth grows with them.
Are your fairytales frightening, like the classic versions?
No. The old tales had sharp edges: wolves that eat children, witches that punish. We keep those out. There is tension and a trial to overcome, always at a safe distance, and good wins in the end. It finishes in warmth, never on an open, anxious note.
Why do those fixed fairytale patterns work so well?
Because they give a child a handhold. A child feels the shape of it, three trials, a brave choice, good winning out, and so they know it will end well. It is that certainty that lets a child take on the frightening part. The pattern carries the story, so the wonder has all the room it needs.

Other kinds of stories

Themes that suit this kind of story

Make a story that suits your child

Make a personal story